Sal Reis Trouxa is a plant-based chef working with sustainability, zero-waste and fermentation. They are especially interested in the politics and social aspects around food and culture. Growing up in a self-sustaining community made by their grandparents in rural Portugal, Sal’s roots continuously inspire them to work with food both as a necessity and as a point of connection and togetherness. In the recent years they have worked as an assistant cook for artist Mirna Bamieh in her project Palestine Hosting Society and choreographer Samah Hijawi. Whilst working professionally as a chef, they have also done catering for multiple artist projects and festivals. Meanwhile they are developing their own ferments from grains sustainably produced in Scandinavia.

Sarasvati Shrestha is an artist and horticulturist working at the intersection between art, design and horticulture. Through intermedial works, gardens and farm work, sculptures, installations, education, social and performative practices, the work is often driven by issues around value systems, food, circularity, access to land and health. Through cultivation and primary production of vegetables, she has expanded her work to collaborate with social movements, artists, activists, farmers, friends and family, by raising questions around working conditions, ownership, geopolitical conflicts and accountability. Guided by queer ecologies and strategies that resist colonial and binary logics, her work centers around tracing routes to nurture a societal transition towards food sovereignty, agroecology and solidarity.

Ar Utke Ács is working as an artist within contemporary dance and an expanded understanding of choreography. They work with the poetics and politics of the body in the seams of performance, dramaturgy, text, installation, the social and the imaginary. Ar Utke Ács working with discourse in proximity with their artistic production, in particular, they are busy with counter- hegemonic strategies from queer and crip writing and lived experience. Collaborative and collective processes builds the core of their body of work and Ar Utke Ács often works across different fields and mediums of art and research. Throughout the past years, they have created a series of works focusing on affect landscapes and subversive poetics of positioning oneself non-verbally, including their first major performance production echoes. They are currently working on Thrash Mob, a commission for ESC Youth Company, which deals with social choreographies and alternative Dance History. Furthermore they are currently working on the first piece of their unapparent trilogy which will premiere in 2025 co-produced by MDT (SE) and Dansehallerne (DK). Ar Utke Ács is a part of the queer art club collective fake daughter, which has organized queer art gatherings since 2019, as well as the studio cooperatives Dance Cooperative in Copenhagen and höjden studios in Stockholm.