Rado Ištok (b. 1989, Slovakia) is a curator, writer and editor based in Stockholm. He is the co-curator of the upcoming 2nd edition of the Matter of Art biennale in Prague, the Czech Republic (2022) and the project leader of Spaces of Care, Disobedience and Desire (2018-2022), a discursive research platform in collaboration with Marie-Louise Richards and Natália Rebelo, supported by the artistic research funding of the Royal Institute of Art in Stockholm. Recent curated exhibitions include Ala Younis: High Dam: Modern Pyramid (2020) at VIPER Gallery in Prague, Czech Republic; The Spectral Forest (2020) at Nida Art Colony, Lithuania; Jacqueline Hoàng Nguyễn: Black Atlas (2019) at Július Koller Society in Bratislava, Slovakia; and Liquid Horizons (2019) at tranzit in Bratislava, Slovakia. His editorial work includes Decolonising Museums – a thematic issue of the Slovak magazine Kapitál (2021), the exhibition catalogue The Spectral Forest (2021) and the e-publication Dwelling on the Threshold (Nida Art Colony, 2020). Together with Jacqueline Hoàng Nguyễn he co-edited the book Crating the World (Athénée Press, 2019), and with L’Internationale he co-edited the e-publication Decolonising Archives (L’Internationale Online, 2016). He contributes to Artforum, among other magazines.