Rosalind Goldberg (NO/SE) is a choreographer based in Oslo. She holds a PhD in artistic research from the Oslo National Academy of the Arts in Oslo, with the title: Choreography as a meaning-generating aggregate.
Rosalind’s work explores processes of change and is characterized by a physical and conceptual approach to choreography, where the entanglement of the two directs the process. Central in her work is the question of what we can expect from the body - to what extent the body can change, and what sides of the body we hide away from. She is interested in the unknown, uncomfortable, leaking, fantastic sides of bodily life and explores the murky water where biology and notions of the body are rubbing against each other. Drawing on inspiration from neurobiology, philosophy on plasticity, new materialism, and notions around the unknown, she creates practices to challenge the habitual in the dancer as a method to stir around with the body’s representation on stage.
Rosalind's latest productions are DARK DYNAMITE (2022), TheField (2020), Rut (2018), Immunsystemet (2017), Jump with me! (2016), MIT (2013), Fake Somatic Practice (2011).
Rosalind’s work has recently been performed at Impulstanz Festival in Vienna, Tanz Im August in Berlin, Schauspielhaus Bochum, Sophiensaele in Berlin, Schauspielhaus Chemnitz, Uferstudios in Berlin, TanzFabrik Berlin, Dansens Hus in Stockholm, Inkonst in Malmö, Dansens Hus in Oslo, Weld in Stockholm, Skogen in Gothenburg, BIT-Teatergarasjen in Bergen, Henie Onstad Art Center, Rosendal Teater in Trondheim, RAS – Regional Arean for Samtidsdans, Black Box Teater in Oslo, et al.
