Cavemusic is a tool and live process of Daniela Bershan/Baba Electronica seeking a somatic dialogue with the audience. It is a practice of collective intimacy and care. It is a possibility to receive joint imaginations and affects through abstracted Popscapes and make unexpected collective motions and readings possible.

"CAVEMUSIC" has premiered at Maerzmusik 2016 in the Long Now and has since then had a nice, slow and steady tour in great places. "CAVEMUSIC" is a practice and a research tool – in this sense it is not a piece but rather an ongoing work process that is shared publicly. It connects to my continuous research on love as study/study as care and queer practices around (non-sexual) collective intimacy and care. Projects like "ELSEWHERE & OTHERWISE" that I am co-organizing with Valentina Desideri since 6 years at Performing Arts Forum are part of this. But it also connects to my 15 years of research on Pop as a material that has itself inscribed into the social body in quite a unique way and hence holds – once stripped from its capitalist markers – a key methodology of "CAVEMUSIC"; a possibility for a collective point of departure to focus on affect, emotion and intimacy in a room with strangers. "CAVEMUSIC" insists and makes tangible that we are much more resourceful and connected then we allow ourselves to be.