Visual descripted.
We 30.5.2018, 20:00-21:00, MDT
Th 31.5.2018, 20:00-21:00, MDT
Right now, we are sitting on the first row in a big square room with black surfaces aimed for different performances. In the middle of the room there is a white curtain with long lines painted on it. The curtain moves in a slow and dreamy way, as if there was a slight wind on stage. A soft light lit the floor and the first three rows. Those who are seated in the back row sometimes wonder what I am talking about here in the front. I am here to interpret a dance performance for you, a story about what takes place on stage but also a story in itself.
"Shapes of States" traces the historical and political writing of the body by connecting Swedish public health ideologies from the 1920’s with contemporary training ideals. Seeing the body as malleable material, which are the means through which we sculpt it? And what is the daily shaping of the body doing to the way we shape society? With a starting point in Meyerhold’s biomechanics the dancers in Shapes of States develop a movement vocabulary far from any idea of natural behaviour. In a series of dances they tell the broken story of a human belief in the disciplining of the flesh.
The performance will be visual descripted, offering various perspectives on how to perceive the form and content of dance. The visual description will be performed by the dancers and will interpret what is happening on stage, what is happering in the world and what is happening in fantasy. You are welcome to take part of this, whether you have a visual impairement or not.
To book visual description, send an e-mail to tickets@mdtsthlm.se. An introduction for audience with visual impairment takes place at 19.45 before every performance. Guides go for free. Please book at tickets@mdtsthlm.se. The performance is in Swedish, with translation in English. The visual description is in Swedish.
Stina Nyberg (b. 1981, Örnsköldsvik, Sweden) engages in the choreography of dances, conversations, meetings, texts, sounds, and shows. She regularly falls in love with new stuff and uses choreography as a means to learn more about these new objects of desire. Some of her recent love affairs have involved doom, details, dogs, electricity, gossip, men, dance history, birds, and mind-reading. She is busy crafting physical practices in relation to the world at large, currently dwelling on the simultaneous molding of, and being molded by, other humans, surroundings, and prevailing ideologies.
Choreography
Performers
Set design
Lighting Design
Dramaturgical adviser
Producer
Administration
Limón workshop
Meyerhold workshop
Production
MDT, Inkonst, Norrlandsoperan and wpZimmer.
Supported by
The Swedish Arts Council, The Swedish Arts Grants Committee, The Municipality of Stockholm and The City of Stockholm. This presentation is part of the project [DNA] Departures and Arrivals, which is co-financed by the Creative Europe program of the European Commission.
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