We 6.12.2017, 18:00-20:00, Audiorama
Sa 9.12.2017, 19:00-21:00, Audiorama
As a result of her research into sound and perception, Giertz is facilitating sonified spaces where the body undergoes physical adaptation to frequency, geometry and force, allowing for the sound and vibrations to activate a perceptual disturbance where hearing and touch meet. The piece “Sound as Touch” (2016) seeks to collectively engage our tactile sense through sound. The continuation of this piece is the work "SHRILL", premiering at Notam in Oslo in 2018.
At present Giertz is collaborating with Marie Topp (DK), Sindri Runudde (SE), Lisa Nyberg (SE), Tyler Mathew Oyer (USA), Fullmånen från Helvetet (SE) amongst others. Recently her work has been presented at the Venice Biennale, Norberg Festival and Charlottenborg Kunsthal. Giertz is also working with Popkollo and “Vem Kan Bli Producent”, a program for music-producers and sound engineers identifying as non-binary or/and female.
Julia Giertz is a sound artist with a background in choreography as well as engineering. She lives in Stockholm and is working with sound in relation to people, objects and electronics. She has presented works at the Venice Biennale, Unsound, Intonal, Tensta Konsthall, Kunsthal Charlottenborg, MDT, Kampnagel K3 and Norrlandsoperan amongst others. Some of her artistic collaborations include Marie Topp, Zosia Hołubowska, k.ö.k. and Tarek Atoui. She gives lectures in immersive audio and synthesisers at Malmö Arts Academy and Elektronmusikstudion (EMS). As an audio engineer she has been supervising the development of the multichannel dome at the Royal Institute of Arts in Stockholm.
By/with
Thanks to
Audiorama, MDT, Inter Arts Center, Inkonst, Statens Kunstfund, Coven, Marie Topp, Kahurangiariki Smith, Sarah Homewood, Cecilia Nordlund. The presentation is made in cooperation with Audiorama.