Tu 11.4.2017, 20:00-21:00, MDT
“In order to be strategic we have to know the game. We start to move and the music begins to play. When the wave hits you, each of you in your own account, it bounces back and at this very moment produces a new sound. We engage in a collective activity with personal intentions. No one in this room is responsible for anyone else, yet we can’t do it alone.”
“Splendour” is a choreography that focuses on the body’s relationship to sound and how illusions of different causalities are created through actions and reactions. Through dodging creativity it steers away from improvisation that promotes individual choices and self-expression. The performance rather aims for working with emotions and reactions that occurs at the instance the sound hits you, in order to express the illusion of bodies creating sound.
The techno suggests a dance where no one depends on anyone else to do it, but that insists on doing it together. Thus, the piece is carried by the imagination and conviction of both performers and audience.
Stina Nyberg is a choreographer and dancer with a practice oscillating between sensation, articulation and representation. In her processes she crafts alternate systems of logic in order to construct the world differently, and act accordingly. Often working in collaboration with others she aims to include how to work into what we work with.
Stina works both independently and collectively, in temporary collaborations with theatres, institutions and other animals. She has made works on commission from Cullberg, Norrdans and Statens konstråd, as well as series of independent works dealing with questions of power, gender, interdependence and magic. She is a member of the artist run organisations höjden, Fylkingen and Interim kultur and currently part of the artistic cohort of Rose Choreographic School based at Sadler’s Wells in London.
Choreography
Performance
Light Design
Produced with support by
DOCH, MDT and Music and Arts. This presentation is part of the project [DNA] Departures and Arrivals, which is co-financed by the Creative Europe program of the European Commission.
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